Two Poems at Air/Light Magazine

"Ritual is six parts repetition, one part magic." That's the opening line from one of the two poems I have up at Air/Light Magazine today. If you are inclined, please enjoy.

Oh, and I got a Best of the Net nomination recently too, from Unlost Journal, for my sequence of collage/cut-ups "Winter: Echoes."

Unlost

 Unlost Journal publishes all kinds of hybrid pieces that use source materials: cut-ups, collages, erasures, centos, found poems, etc. Always stimulating to have a look at what Dale Wisely and the crew is publishing.

The latest edition (#30) includes a cut-up/collage with a twist by me (replacing the words writer/s with winter/s), called "Winter: Echoes." Since winter lingers (at least here in Japan), it's a timely read. Enjoy all the creative offerings in this issue, and previous ones as well!

Star 82

The quirky and interesting online journal Star 82 has published my first erasures from Eudora Welty's story collection The Wide Net. This journal has all kinds of interesting work, including microfiction, photography, collage and more. Check out this collage by C. B. Auder, for example. There is a treasure trove of interesting art and writing in this issue, and in back issues. Enjoy.

Collage by Mapes

If you are at all interested in collage, check out Michael Mapes' amazing photographic collages at Slate, in Christopher Jobson's article "Dissecting Photographic Specimens with Michael Mapes."  Mapes begins with photographic portraits, cuts them into pieces, preserves fragments in plastic bags, gelatin capsules, and in other mediums, and then reassembles the picture into a collage.

For an even closer look at Mapes' pieces, check out Wookmark.

Creating Later in Life

This PRI interview with poet Molly Peacock about her new book The Paper Garden: An Artist Begins Her Life's Work at 72 (Bloomsbury, USA) touches on two of my keen interests: collage and late life creativity.

The story of Mary Delaney, the woman who invented collage in the 1770s at age 72 or 73 as a response to her life experience, is presented by Peacock in a kind of literary collage. Delaney's process was radical for its time, and she herself was an unlikely artist. Learn how Molly Peacock relates to the process of collage-making as a poet and therefore collagist of words and fragments, and listen to the hopefulness she finds in the awakening of late life creativity as a boon of aging.

As a writer whose poetry has only started to take a serious place in my life now in my mid-40s, I often feel handicapped by my age (especially surrounded in the poetry world by so many recent grads of MFA programs themselves in their 20s with publications and awards I could never aspire to) , so late life creativity is an inspiring topic. Health concerns in my family also make me fearful of the future, so hearing a story like Mary Delaney's does much for me what it did for Molly Peacock, whose own mother died at the age at which Delaney began to blossom artistically and who also has in her family a sense of portending doom due to health issues.

Plus it's good to know collage was invented by a woman. But then, thinking about it, should that innovation have come as a surprise? Who, after all, has to make art with the remnants of time and materials left after taking care of everyone else's lives: men or women artists?

I can't wait to get my hands on this new book by Molly Peacock.