******************************************
******************************************
******************************************
Pantoum
Quilted from Agnes Martin's Writings by Carol Moldaw
Composition is an absolute mystery. To penetrate the night is one thing
(you get light enough and you levitate),
to be penetrated by the night, another.
To penetrate the night is one thing,
the mind knows what the eye has not seen;
to be penetrated by the night, another.
Overtaken, we feel a certain devotion.
The mind knows what the eye has not seen.
Perfection, of course, cannot be represented.
Overtaken, we feel a certain devotion.
Think of a shibori-dyed silk organza quilt.
Perfection, of course, cannot be represented
pieced and layered, a little bit off the square.
Think of a shibori-dyed silk organza quilt
but without batting, transparent, floating,
pieced and layered, a little bit off the square,
the layers hand-tied together with horsehair
(but without batting, transparent, floating).
Try to understand, court misunderstanding.
The layers hand-tied together with horsehair,
the grids of the layers overlap like voices.
Try to understand, court misunderstanding.
The seams, like leading, show through.
The grids of the layers overlap like voices.
One thing I've got a good grip on is remorse.
The seams, like leading, show through.
Before it's put on paper, it exists in the mind.
One thing I've got a good grip on is remorse.
Technique a hazard, interruptions a disaster,
before it's put on paper, it exists in the mind.
Rectangles lighten the square's weight.
Technique a hazard, interruptions a disaster,
composition is an absolute mystery.
Rectangles lighten the square's weight.
You get light enough and you levitate.
to be penetrated by the night, another.
Overtaken, we feel a certain devotion.
The mind knows what the eye has not seen.
Perfection, of course, cannot be represented.
Overtaken, we feel a certain devotion.
Think of a shibori-dyed silk organza quilt.
Perfection, of course, cannot be represented
pieced and layered, a little bit off the square.
Think of a shibori-dyed silk organza quilt
but without batting, transparent, floating,
pieced and layered, a little bit off the square,
the layers hand-tied together with horsehair
(but without batting, transparent, floating).
Try to understand, court misunderstanding.
The layers hand-tied together with horsehair,
the grids of the layers overlap like voices.
Try to understand, court misunderstanding.
The seams, like leading, show through.
The grids of the layers overlap like voices.
One thing I've got a good grip on is remorse.
The seams, like leading, show through.
Before it's put on paper, it exists in the mind.
One thing I've got a good grip on is remorse.
Technique a hazard, interruptions a disaster,
before it's put on paper, it exists in the mind.
Rectangles lighten the square's weight.
Technique a hazard, interruptions a disaster,
composition is an absolute mystery.
Rectangles lighten the square's weight.
You get light enough and you levitate.
******************************************
******************************************
"There are two parts of the mind. The outer mind that records facts and the inner mind that says "yes" and "no." When you think of something that you should do, the inner mind says "yes" and you feel elated. We call this inspiration." ~Agnes Martin
No comments:
Post a Comment