“We're in a
freefall into future. We don't know where we're going. Things are changing so
fast, and always when you're going through a long tunnel, anxiety comes along.
And all you have to do to transform your hell into a paradise is to turn your
fall into a voluntary act. It's a very interesting shift of perspective and
that's all it is... joyful participation in the sorrows and everything
changes.”
**************************************
Grief is a hole you walk around in the daytime and at night you fall into
it. Denise Levertov
**************************************
Winter Litany Robin Davidson
Kraków, March, 2004
Kraków, March, 2004
I stand on Wawel Hill
in early March and morning snow
falls in flocks
tiny paper cranes
descending blowing dissolving
one into another
on the cobblestone walk
an avalanche of light
in early March and morning snow
falls in flocks
tiny paper cranes
descending blowing dissolving
one into another
on the cobblestone walk
an avalanche of light
I believe this must be
what death is
what death is
this alternate
shining and melting, shining and flying
shining and melting, shining and flying
**************************************
“I like the floor as a place for grieving. You can't fall off." Kate
Braestrup, Main Chaplain to Game Wardens on "Speaking of Faith."
**************************************
One Heart Li-Young Lee
Look at the birds. Even flying
is born
out of nothing. The first sky
is inside you, Friend, open
at either end of day.
The work of wings
was always freedom, fastening
one heart to every falling thing.
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Grief Daybook II Carol Ann Davis
There are panels of sky
as good as forgotten,
Evans' gelatin folds of Florida
circa 1934. The line of sky is dark at first
circa 1934. The line of sky is dark at first
where the gulf lifts it,
then comes to me like a halo
then comes to me like a halo
around the palm tree with its neck bent,
its spray of branches
leaning out of frame
as if to flee. Its roots pull
as if to flee. Its roots pull
at sand, as if to say,
this is what it takes.
this is what it takes.
I'd believe, if not for the way
my breath catches,
if not for the wild faint
sleep's become. The palm's branches
are spears left
where they've fallen
where they've fallen
in the dirty sand, too heavy
for the tide to take them. Where the neck
bends,
cut branches—like stubble on a chin
as seen from below—seem to ask
as seen from below—seem to ask
something of the photographer,
something not washed away
something not washed away
in the chemical bath. The shadow of the
trunk
just underlines—means to prove the existence
just underlines—means to prove the existence
of the world. It's three o'clock
and the latticework of 1934
is pulling around me in this light
as if to say my god, my god,
a hymn sung
by infidels to believers
as a way to ask for water.
**************************************
Apprehension
in the Blurry Trees Cameron Thomas
Fallen, what can a leaf care about being plucked from its branch?
Two crows forage on the roof across the street, stepping
along a gutter, picking through tan and rusty
swatches, and casting them to the ground.
One finds what he wants, so he steps to the edge, drops,
and glides across the blurry trees.
The other remains, keeping a leaf in her beak as though
it were a body.
everything.
**************************************
Fall down seven times; get up eight. Japanese proverb
2 comments:
Another great collection of themed poems, Jessica. I especially appreciate "One Heart" --- that's a stunning piece. Thank you.
I'm a big fan of Li-Young Lee's work. Glad you also enjoyed it, Drew.
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