If you're like me, and despite efforts to have a Christmas not hijacked by consumerism you are still squirming over holiday spending, free poetry is just the thing to cheer you up. H_ngm_n Books has a plethora of free chapbooks for PDF download, featuring poets such as Sarah Certa, Nick Sturm, Jenny Sadre-Orafai, Wendy Xu, Nate Slawson, and more. Thanks, H_ngm_n!
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Saturday, December 13, 2014
Free Poetry
Labels:
H_ngm_n Books,
Jenny Sadre-Orafai,
Nate Slawson,
Nick Sturm,
Sarah Certa,
Wendy Xu
Thursday, December 11, 2014
Valparaiso Rising
Very happy to have a new poem "Search Party, Called Off" in the Fall/Winter 2014-2015 issue of Valparaiso Poetry Review. Thanks to Edward Byrne and staff.
Glad to be in the company of my secret poetry crush Frannie Lindsay, and other luminaries such as Chana Bloch, Barbara Crooker, Adam Tavel, Stephen Massimilla, and Laura Foley, among others. Featured poet is Jeff Mock.
Glad to be in the company of my secret poetry crush Frannie Lindsay, and other luminaries such as Chana Bloch, Barbara Crooker, Adam Tavel, Stephen Massimilla, and Laura Foley, among others. Featured poet is Jeff Mock.
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cover of Fall/Winter 2014-15 issue of Valparaiso Poetry Review |
Labels:
Adam Tavel,
Barbara Crooker,
Chana Bloch,
Edward Byrne,
Frannie Lindsay,
Jeff Mock,
Laura Foley,
Stephen Massimilla,
Valparaiso Poetry Review
Monday, December 8, 2014
Voice III
The Cry
Bone's Connected to the Why Bone Jenny Browne
Cold front blasts a train through the bedroom, one long roar
above late talk of distant war.
Numbers and names I don't recognize
climb, drift, pile higher.
There are exactly twenty-seven
bones beneath the skin of a hand.
There are not as many words
for snow as I was once told.
It's almost morning.
If you're not with us, you're dew.
If you're dew, you disappear.
If you're me this week you see
a baby learn she has hands,
the bilateral little declaration
of a common axis, grip and find.
Put your hand in the air if you've heard
the one about the hokey pokey man.
He may die but you can't bury him.
And if the whole self was never in?
Keep moving keep moving
towards a voice you still recognize.
If you're not with us, you're a fist
and if you're a fist, you can't reach
that collection of wishbones
rattling on
the quietest shelf in the room.
********************************************
The Wounded
Angel, 1903 Amanda
Auchter
after Hugo Simberg
Walk the
treeline, higher
than before, where the frost covers each
rootbed. Dig
for the rotten fruit, lay it in your hand. Touch
for the rotten fruit, lay it in your hand. Touch
the red
berried hips of the branch's cradle. Dusk,
and the sky irons. Listen: a bird-stir and
the build
of God in your breath. In the garden,
of God in your breath. In the garden,
the wind
knocks you into blind
slumber. Each torn wing folds into
the arms that
rescue it. Two children
wait for the earth to grow
back
into you, bring your sorrows
to the shore.
There,
they reed-wash your halo, tie onion blooms
to your wrist. There is nothing they miss—
to your wrist. There is nothing they miss—
how the current moves through you,
sweeps mud into your throat, brightens
each bruised eye. Look away from this, your river-
each bruised eye. Look away from this, your river-
locked
voice, the threat of the far bank.
The criticism, no matter how virulent, has
long since ceased to bother me, but the price of this is that the praise is
equally meaningless. The positive and the negative are not so much
self-cancelling as drowned out by that carping, hectoring internal voice that
goads me on and slaps me down all day every day. ~Will Self
The
Shout Simon
Armitage
We
went out
into the school yard together, me and the boy
whose name and face
into the school yard together, me and the boy
whose name and face
I
don't remember. We were testing the range
of the human voice:
he had to shout for all he was worth,
of the human voice:
he had to shout for all he was worth,
I
had to raise an arm
from across the divide to signal back
that the sound had carried.
from across the divide to signal back
that the sound had carried.
He
called from over the park — I lifted an arm.
Out of bounds,
he yelled from the end of the road,
Out of bounds,
he yelled from the end of the road,
from
the foot of the hill,
from beyond the look-out post of Fretwell's Farm —
I lifted an arm.
from beyond the look-out post of Fretwell's Farm —
I lifted an arm.
He
left town, went on to be twenty years dead
with a gunshot hole
in the roof of his mouth, in Western Australia.
with a gunshot hole
in the roof of his mouth, in Western Australia.
Boy
with the name and face I don't remember,
you can stop shouting now, I can still hear you.
you can stop shouting now, I can still hear you.
********************************************
Already
the Heart A. V.
Christie
The
spinal cord blossoms
like bright, bruised magnolia
into the brainstem.
And already the heart
in its depth — who could assail it?
Bathed in my voice, all branching
and dreaming. The flowering
and fading — said the poet —
come to us both at once.
Here is your best self,
and the least, two sparrows
alight in the one tree
of your body.
like bright, bruised magnolia
into the brainstem.
And already the heart
in its depth — who could assail it?
Bathed in my voice, all branching
and dreaming. The flowering
and fading — said the poet —
come to us both at once.
Here is your best self,
and the least, two sparrows
alight in the one tree
of your body.
********************************************
Labels:
A. V. Christie,
Amanda Auchter,
Jenny Browne,
Simon Armitage,
Will Self
Friday, December 5, 2014
Tuesday, December 2, 2014
Voice II
The Dead Jason
Schneiderman
do not speak.
That is what
makes them
dead. They
have left us
words, notes,
letters, but
you can only
read them
in your voice,
from your
place in this
world. You
may try
to speak for
the dead, but
listen. That’s
*******************************************
On Angels Czeslaw Milosz
All was taken away from you: white dresses,
wings, even existence.
Yet I believe you,
messengers.
There, where the world is turned inside out,
a heavy fabric embroidered with stars and beasts,
you stroll, inspecting the trustworthy seems.
Shorts is your stay here:
now and then at a matinal hour, if the sky is clear,
in a melody repeated by a bird,
or in the smell of apples at close of day
when the light makes the orchards magic.
They say somebody has invented you
but to me this does not sound convincing
for the humans invented themselves as well.
The voice -- no doubt it is a valid proof,
as it can belong only to radiant creatures,
weightless and winged (after all, why not?),
girdled with the lightening.
I have heard that voice many a time when asleep
and, what is strange, I understood more or less
an order or an appeal in an unearthly tongue:
day draw near
another one
do what you can.
*******************************************
Voice, Distant, Still Assembling Mark Irwin
Walking
farther there, I am glad we
age slowly, discovering now in memory
similar frontiers of a physical world, visiting
as though for the first time
ruins of a once great city, yet novel
in the crumbling light. We trip
age slowly, discovering now in memory
similar frontiers of a physical world, visiting
as though for the first time
ruins of a once great city, yet novel
in the crumbling light. We trip
and stumble, unaware, youthful in the obscurity
of shadow, a kind of spring
in itself. Itself, where I touch places, gone, often
confused to find a new home
not torn and built of green, but of a crumbling
of shadow, a kind of spring
in itself. Itself, where I touch places, gone, often
confused to find a new home
not torn and built of green, but of a crumbling
orange, and
there, there, as though walking
through fire, taking pleasure in the fleeting
walls and lingering agoras, I glimpse
ghost bodies and caress the flesh
boats of their past as I walk toward
what could be mountains or oceans, till finally
I am swimming through the lit window of a name.
*******************************************
through fire, taking pleasure in the fleeting
walls and lingering agoras, I glimpse
ghost bodies and caress the flesh
boats of their past as I walk toward
what could be mountains or oceans, till finally
I am swimming through the lit window of a name.
*******************************************
White Apples Donald Hall
when my father had been dead a week
I woke
with his voice in my ear
I sat up
in bed
and held my breath
and stared at the pale closed door
white apples and the taste of stone
if he called again
I would put on my coat and galoshes.
*******************************************
Trapeze
Larissa Szporluk
To float you must float from
within.
You must not feel attached
as you brush past the body you loved,
an arm past an arm, an almost weightless vapor.
Don't ask questions anymore. Don't hear
his seismic voice. Fractures thread the floor;
time will energize their creep
until you're craving through his ceiling.
It's all a matter of containment,
held-in breath, the hidden table. Keep in mind
that dreaming up means waking down,
so keep your swing in limbo. Don't aim high:
Where air turns thin, the ear tears open
with a secret's restless heat,
surrending its recess — the details of explosion
fizzling in a tree, remembered now and then,
but not so well, by something on and off,
like fireflies—when pressure mounts behind it.
You must not feel attached
as you brush past the body you loved,
an arm past an arm, an almost weightless vapor.
Don't ask questions anymore. Don't hear
his seismic voice. Fractures thread the floor;
time will energize their creep
until you're craving through his ceiling.
It's all a matter of containment,
held-in breath, the hidden table. Keep in mind
that dreaming up means waking down,
so keep your swing in limbo. Don't aim high:
Where air turns thin, the ear tears open
with a secret's restless heat,
surrending its recess — the details of explosion
fizzling in a tree, remembered now and then,
but not so well, by something on and off,
like fireflies—when pressure mounts behind it.
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