Becoming a Successful Writer

This weekend I put my new manuscript together in one word file, after months of moving loose pages around on the floor, on the bed, on the counter. While I did this, I reordered poems and fine-tuned lines. And cut a few poems altogether. And in general I just started getting the feel of the manuscript as a single document instead of as a bunch of poems tried out in various configurations.

While I was doing this (some of it, the actual locating of files and cutting and pasting, not the thinking part), I was listening to a podcast from the University of Iowa's Virtual Writing University by David Bouchier about avoiding verbosity (scroll down mid-page to find his podcast, although unless you are a truly novice writer, there are probably better ways to spend your time than on this particular recording). It was pretty amusing because Bouchier himself rambled and got lost on tangents (which, to his credit, he did acknowledge as violating his own premise). However, what I took away from the podcast came from one of those forays off-topic when he said that each writer needs to know what she considers being a successful writer for her would entail. He listed a few options, which I don't recall but paraphrase very loosely here: Could you call yourself a successful writer if your mother admired you, if you had nine devoted readers who truly understood what you meant, if your were locally famous, if you published dozens of books that were slammed by the critics but which you were pleased with? Do you need a dozen perfectly impeccably crafted poems, or do you want to be in certain journals, or in a certain number of journals? Do you need acclaim, or fame, or a wide audience? What is it you need to feel you are a successful writer?

This is an interesting question, particularly for me out here in Japan without a local audience, without a community of writers to sound my work and ideas off of. I do write for connection, for communication, with other people. I do write to have readers. I don't need that many. But I need more than I have. At least one more, and maybe that one is just me myself. I need to feel more connected than I do. That's why I write. And to know what I think (who said that? Joan Didion maybe?) But yes, to know what I think, and to find out that I'm not the only person who thinks as I do. And to not be alone. Even being with words on paper is better than being alone.

And paradoxically I crave being alone more than anything, so that I can have the opportunity to write my way out of my aloneness. Go figure.

And what if I ever get what I need? Will I still write? Or is what I need designed by me to be something I can never get so that I keep writing? Or if I get it, will I just need something else (economic's dismal science paradox), so that I keep writing?

Appreciating Authors

This Writer's Digest Blog post features poet & novelist Sherman Alexie's top 10 writing tips. His number one tip is, "When you read a piece of writing that you admire, send a note of thanks to the author. Be effusive with your praise. Writing is a lonely business. Do your best to make it a little less lonely." What great advice. I do not do this, and I really should. And from now on I will. 

Rejection's Flipside

Greer Van Dyke writes about rejection at the Elephant Journal blog.

Here's an excerpt (actually the meat of the short article is here, but enjoy the entire piece at the link):

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..."rejection means you are shooting high enough. If you had been accepted everywhere, it would have meant you weren’t striving as high as you could.”

That put me in my place, and for the first time, I really and truly felt okay with No.... I see that with all of the times I have heard “No,” I have also heard “Yes.”...

Does hearing a “No” mean you took steps back? ... it just means that you are embracing vulnerability and turning your back on insecurity.

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Thanks to Leza L. for posting this on Facebook.

Murakami Covers Uncovered

Check out these newly commissioned alternative covers (by Vintage) for ALL of Haruki Murakami's novels. Will you see a theme? Yes, you will. Here's a hint:

Check out the rest at the link. Most of them I like, although it's a bit much placed altogether like this. What do you think?

Keeping Up With the Guardian

A quick read through the UK Guardian's website revealed these interesting stories:

1) Penguin is suing 12 authors over "failure to deliver" manuscripts under contract. They are suing for return of advances plus substantial interest.

2) Looks like 10/4 is National Poetry Day over there (or 4/10 as they'd write it), and the Guardian did a brief interview with poet Alice Oswald to commemorate. Read how she copes with distractions to writing (which turn out to be her three kids) and find out that "two-thirds of the way through a poem, I enter a moment of absolute despair." A fun quick read.